Sunil had completed the SSCE. The boy must have been overjoyed when his music idol, Remo, found Sunil diligent enough to assist him as a personal secretary. Remo's son, Noah, had grown very fond of Sunil, particularly after the latter joined Remo's troupe. Gradually, the family began seeing a bit better days and Sunil had already managed to change the thatched roof to a tiled one. It was only on his last birthday that he could afford to hold a semblance of a celebration for his family. As he was emerging into the breadwinner of the once destitute Redkar household, fate got envious of the boy's success. In the accident, his face was smashed beyond recognition

The main celebrant of the concelebrated mass was Fr Oscar Quadros, former assistant Parish Priest of the village, who knew Victor as a young boy. Fr Quadros said that Victor was always a humble person despite being a wellknown guitarist. The present youth would make a fine tribute to Victor by following his humble nature. Fr Quadros also praised Victor for showing active interest in the church choir.

After the mass, Victor's musician nephew, Oliver Alvares, choking with emotion, rendered the famous song "You will be always on my mind". At the cemetry, Emiliano da Cruz and his two partners rendered "Adios Amigo, Adios my Friend", bringing tears to the eyes of the mass of mourners.

The 51-year-old crooner believes listeners have become incapable of understanding or appreciating anything serious. This trend against “anything that is serious” has taken root not just in music, but also cinema, literature and art.

In between tours to Kuwait and the Caribbean, Remo said in an interview published in Panaji: “This whole country, which was once the cradle of deep, high-thinking philosophy and art and literature, seems to have gone intellectually bankrupt, and Bollywood seems to be the beginning and end of life as we know it.”

The singer — the first big star on India’s pop horizon — hinted he was disappointed with the response to his recent albums, India Beyond and Symphonic Chants. “So now, as a private joke to myself, maybe I’ll record a remix album of my personal Bollywood favourites,” he said.

“That’ll be my way of saying ‘Feed donkeys with grass, not asparagus’. And I’ll probably write that caption on the inside cover of the album,” Remo added.

It’s not surprising that the pop icon, known for his music in languages ranging from Portuguese to Hindi with strong doses of English and Konkani, has had a flurry of foreign tours this year. He is just back from Kuwait and plans to visit the Caribbean in April-May. Possible concerts with his band, the Microwave Papadums, include visits to San Francisco in May, China in June and the UK in July.

“2004 seems to have brought in a few foreign shows, starting on a ‘foreign’ note! I’m collaborating with a British composer, William Hall Jr, on a new track titled Spectrum,” he said in the interview.

There is greater acceptance of non-western artistes now, he felt. “Unknown countries today have a new generation who can pop and rock with the best from the West while still keeping firm roots in their own cultures,” he said.

But Remo rued the lack of appreciation for serious artistic work in India. “Shobhaa De sells more than Arundhati Roy; David Dhawan’s blockbusters are more watched than Satyajit Ray’s masterpieces,” he said.

Remo has never been conventional, bursting on to the stage with his ponytail and energy-packed performances.

Trained as an architect, he initially struggled to sell his home-produced music, but stayed on in Goa — after a sojourn through Europe in his younger days — before striking gold.

In May 2003, he performed free before some 10,000 fans during a concert he organised for them on completing 50.

“I know some musicians who hide their age. So why am I so happy that I have turned 50? I don’t know, I just feel great. I still feel young and I don’t even dye my hair! I guess it’s just that I enjoy doing my music so much,” he had said.